Ancient bust in motion
A story about women. About women fighting for what is theirs. Of unity. And about the strength that lies within.
A story about women. About women fighting for what is theirs. Of unity. And about the strength that lies within.
Another of the workshops on the Wednesday's programme was New Circus and Pair Acrobatics, in which movement and emotion connected the festival participants.
Who will be Miss Brexit? The one who abandons her nature and replaces "honesty with etiquette". Do you want to stay in Britain? Act like the Brits in the media, but not the way they behave in real life.
Young people with different accents, temperaments, and life experiences. Their birthplaces are scattered all over Europe, yet they are all in the same place - the Miss Brexit London pageant. The contestants try to convince viewers of their commitment to the UK so they can continue to live the British dream. However, only one of them can win. What does one have to erase from one’s life to become someone different and 'better' - to become British? An existential journey towards stability and better opportunities, but one that forces self-denial, is presented by students from the London College of Music, University of West London, in Miss Brexit at the Husa na provázku Theatre.
The Earthquake Concert by the Austrian ensemble Max Reinhardt Seminar presents three short biographies, three human lives, connected (in addition to their philosophy of life) by the common time in a mental hospital.
Our identity is partly formed by our nationality, our local culture, and the social and historical context in which we grew up. In a way, these represent us – even more so in the context of an international festival. And this is something that needs to be used in the theatre.
A performance-oriented society forces never-ending production. Can we not only focus on economically profitable performance, but also look at other aspects of life, as well? The performance Cannibals has stirred up a topic that is extremely relevant at the moment.
The lived reality of young artists. What are we willing to sacrifice for the final applause? For recognition? Everything, even our health. But that’s what’s expected. We’re artists, after all, aren’t we?
Among the regular participants of the festival Setkání/ENCOUNTER are groups from the Theatre Faculty of the Academy of Performing Arts in Prague (DAMU). This year they presented to the audience a musical adaptation of Brecht's well-known opera The Beggar's Opera. However, the opera’s protagonist Mackie Messer is slightly in the background and the theme of power takes priority. But what kind of power are we talking about here? Is it social power - who rules who? Is it the power of money - which so clearly moves the world? Or is it the power of masculinity - where men are the ones who stand at the head of the masses? Basically, all three answers are correct in this production.