The dramaturgy of the ENCOUNTER festival is extended every year by stage forms that are not necessarily stage plays or drama. The main programme more and more often also includes stage dance and movement theatre. After the Georgian Lysistrata, this year the festival featured a stage dance performance called Erlking from the workshop of Kr. Sarafov National Academy of Theatre and Film Arts of Bulgaria.
A dreamscape in which one communicates through movement. A dose of metaphors in the form of a dance infusion. A contact of a Bulgarian ensemble with a mythical creature and its offspring.
Slowing down, turning inwards to our feelings, finding intimacy, and understanding of the connection between chakras and self-expression, but, most importantly, working with the voice properly. All of this we tried to learn in the oasis of serenity that the room 401 became, at least for a while.
Snová krajina, v ktorej sa komunikuje pohybom. Dávka metafor v podobe tanečnej infúzie. Kontakt bulharského súboru s mýtickou bytosťou a jej potomkami.
Spomalenie, uzatvorenie sa do vlastných pocitov, hľadanie intimity a pochopenie súvislostí medzi čakrami a sebavyjadrením, no najmä správne pracovanie s hlasom. To všetko sme sa snažili naučiť v oáze pokoja, ktorou sa aspoň na chvíľu stala miestnosť 401.
Dramaturgia festivalu Setkání/ENCOUNTER sa každoročne rozširuje o divadelné formy, ktoré ktoré nie sú nutne len činoherné. Čoraz častejšie sa v hlavnom programe objavujú aj scénický tanec a pohybové divadlo. Po Gruzínskej Lysistrate sme mali tento rok možnosť zhliadnuť tanečnú inscenáciu Erlking z dielne National Academy of Theatre and Film Arts „Kr. Sarafov“, Bulharsko.
Individual bodies in motion, collective unity of breath. The laws of anatomy, the freedom of carnality. Nonverbal communication! What is included in the performer´s sources of creation?
Individuální těla v pohybu, kolektivní jednota dechu. Zákonitosti anatomie, svoboda tělesnosti. Nonverbální komunikace! Jaké jsou tvořivé zdroje performera?
This production of Tartuffe from the Slovenian Academy of Theatre, Radio, Film and Television is set in Orgon's house. In the middle of the set, there is a cross on the wall with Jesus Christ hanging on it. From the very beginning, however, it is clear that this symbol does not belong in this house. So Jesus, witnessing the depravity of the inhabitants of the house, comes down from the cross and sets off with his GPS on a journey to somewhere far away (probably hell, where he might be better off). Unfortunately, we have to stay and watch this whole farce. So the question is - what will save this house?
